June 9, 2026 – GMPS – AI for Good

Artificial intelligence is already reshaping how music publishers work. This panel explores three ways AI is being put to work in publishing today: detecting streaming fraud and protecting rightsholder revenue, streamlining day-to-day operations and data verification, and building rights-based licensing frameworks between AI platforms and publishers. A grounded, practical conversation about the tools and frameworks that are changing the business right now.

Edward Ginis, OpenPlay (Moderator)

Liz Moody, Granderson Des Rochers
Larry Mills, Vobile
Ben Bailer, Bailer Music
Ali Lieberman, Symphonic Distribution

Legendary songwriter and producer Glen Ballard sits down with Concord’s Tom DeSavia for an intimate, candid conversation about a career that has shaped popular music for decades. From the stories behind iconic songs to the craft of songwriting and the business of publishing, this is a rare opportunity to hear one of music’s most influential voices speak openly about the work that defines his legacy.

Tom DeSavia
Glen Ballard

An unfiltered look at the state of sync today, driven entirely by the audience. From pitching and pricing to creative trends and deal realities, this session invites real-time questions via live submission, creating an open and honest conversation between music supervisors and the people pitching to them.

Brooke Primont, Concord Music Publishing (Moderator)

Amanda Levine, Platinum Rye Entertainment
Kara Foley, PULSE Music Group
Melissa Somosky, Independent Music Consultant

The center of gravity in music publishing is shifting. Latin, MENA, Africa, and South Asia are no longer emerging markets waiting their turn. They are power centers generating global hits, reshaping deal structures, and forcing the entire industry to rethink what international publishing looks like. This panel brings together publishing executives and industry leaders with deep roots in these markets for a candid conversation about regional growth, cross-border opportunity, and what every publisher needs to understand about where the business is heading.

Adam Parness, Music Consulting (Moderator)

Elizabeth Rodda, peermusic
Jashima Wadehra, ODE Consulting
Spek, PopArabia
Thando Makhunga, Downtown Music Publishing Africa

What does it actually take to run an independent publishing operation today? The answers are more interesting than you might think. This conversation brings together indie publishing leaders for a candid, global look at the wins, the challenges, and the shifts defining the independent landscape today. From deal structures and international growth to sync opportunities and creator development, this is the session where the indie community speaks for itself.ad.

Amber Charania, YouTube (Moderator)

Danny Abowd, The Royalty Network
Delphine Dalquie-Dickson, 22D Music Group
Heather Johnson, Sub Pop
Jennifer Newman Sharpe, Exceleration Music

The U.S. Copyright Office is navigating one of the most consequential moments in the history of music publishing. From AI and training data to streaming fraud, termination rights, and a sweeping modernization effort, the questions facing rights holders have never been more complex or more urgent. Register of Copyrights Shira Perlmutter and General Counsel and Associate Register of Copyrights Emily L. Chapuis join us for a candid fireside conversation about where copyright law stands today, what the Office is doing to modernize for the digital age, and what independent publishers need to understand about the road ahead.

Art Levy, Songtradr (Moderator)

Shira Perlmutter, U.S. Copyright Office
Emily L. Chapuis, U.S. Copyright Office

The policy landscape shaping music publishing has never been more consequential. From Capitol Hill to industry boardrooms, the rules are being tested, challenged, and in some cases rewritten. This annual conversation brings together leading legal and policy voices to break down the Washington developments that matter most right now and what they mean for your catalog, your rights, and your business going forward.

Michael Simon, HFA (Moderator)

Chris Barkley, NMPA
Graham Davies, DIMA
Linda Bloss-Baum, SONA
Morna Willens, RIAA

From Capitol Hill to industry boardrooms, evolving laws and regulations are transforming the U.S. music landscape. How will these changes impact music publishers, rights holders, and the broader ecosystem?

Join our panel of experts as they break down the latest legislative and regulatory updates—what they mean for music rights, royalties, and industry practices, and how stakeholders can navigate this shifting legal landscape.

We hope you will join us for a very special luncheon featuring “Legal Luminary” Jay Cooper, Esq. who will be interviewed by his son and music industry attorney, Todd Cooper, Esq. Speakers:
• Jay L. Cooper, Esq. is the founder of the Los Angeles Entertainment Practice and focuses his practice on music industry, motion picture, television, Internet, multimedia, and intellectual property issues. He represents individuals and companies on intellectual property matters and contract negotiations, including recording and publishing agreements for individual artists and composers; actor, director, producer, and writer agreements in film and television; executive employment agreements; complex acquisitions and sales of entertainment catalogs; production agreements on behalf of music, television, and motion picture companies, and all entertainment issues relative to the Internet and digital services. Among his Clients are Grammy, Oscar, Tony and Emmy Award recipients.
• Todd Cooper, Esq. is Of Counsel with Greenberg Traurig’s Entertainment Practice Group. His practice focuses on music industry, multimedia and intellectual property issues. He is experienced in a wide range of music and multi-media transactions and has represented individuals and companies on intellectual property matters including recording artists, songwriters, producers, personal managers, event producers, models and record executive employment agreements. Mr. Cooper has negotiated recording, distribution, and various other agreements with both major and independent record labels as well as negotiated co-publishing, sub-publishing and songwriter agreements with music publishers and has experience in complex acquisitions and sales of entertainment catalogs. Previously, Mr. Cooper worked as a recording engineer for a major Los Angeles recording studio, as a road and production manager for various touring artists as well as a personal manager for a prominent Los Angeles-based company. Todd earned his J.D. at Loyola Law School and holds a B.A. in History from UCLA. He is admitted to practice in California.

In this panel we’ll look at the latest on some high profiles copyright infringement cases including Ed Sheeran’s “Shape Of You,” Katy Perry’s “Dark Horse” and Dua Lipa’s “Levitating.” We’ll talk about where this rash of infringement cases has come from. We’ll also discuss the new CASE Act, which is basically a small claims court for copyright infringement and what it means to you. And we’ll tie all this in to issues of social justice; past, present and, hopefully, with some solutions for the future.
Speakers:
• Heather A. Antoine, Esq. is a Partner and Chair of the Firm’s Trademark & Brand Protection practice and Co-Chair of the Privacy & Data Security practice group. Heather’s practice is focused on protecting a company’s intellectual property; a fundamental feature of every business. Her practice includes trademark clearance and selection, domestic and foreign trademark prosecution, enforcement, proceedings before the Trademark Trial and Appeal Board (TTAB), licensing, trade secret protection, copyright, rights of publicity, domain names disputes, and counseling on brand and IP strategy. Heather believes in supporting companies at each stage – from due diligence when choosing a name, to ongoing brand management, to ensuring portfolios are safeguarded and ready for sale. Heather is also focused on guiding businesses through the ever-expanding patchwork of privacy laws, both domestically and internationally. This includes drafting privacy policies, and guidance on how to comply with specific privacy regimes, such as the General Data Protection Regulation (GDPR), the Children’s Online Privacy and Protection Act (COPPA), and the California Consumer Privacy Act (CCPA), and California Privacy Rights Act (CPRA). Heather works with companies to design and strengthen their privacy and data security policies and practices, to help them prevent data security breaches, and to minimize the risk of a data breach. Heather serves as Chair of the California Lawyers Association Intellectual Property Section. Heather frequently speaks and writes about IP, Internet, tech, and privacy issues. She has been quoted in publications such as the Los Angeles Times and CNBC. Heather has been recognized by her peers for excellence in her practice, having been selected by Thomson Reuters as Southern California “Super Lawyer®” and “Rising Star®.”
• Judith Finell is a musicologist and the president of Judith Finell MusicServices Inc., a music consulting firm in New York and Los Angeles, founded 25 years ago in New York. Since then, she has served as consultant and expert witness involving music copyright infringement, advised on artist career and project development, and a wide variety of music industry topics. Recently, Ms. Finell was honored to be the 2018 commencement speaker at UCLA’s Herb Albert School of Music. She was also interviewed by NBC/Universal for a 2018 documentary entitled “The Universality of Music,” in which she discussed the ways in which she sees music as being an international language that can bridge cultural barriers that spoken language does not. Judith was the testifying expert for the Marvin Gaye family in the milestone “Blurred Lines” case in Federal Court. She has testified in many other notable copyright infringement trials over the past 20 years. She and her team of musicologists regularly advise HBO, Lionsgate, Grey Advertising, CBS, Warner, Disney, and Sony Pictures on musical works for their commercials, films, and television series. Ms. Finell also frequently advises attorneys, advertising agencies, entertainment and recording companies, publishing firms, and musicians, addressing copyright issues, including those arising from digital sampling, electronic technology and Internet musical usage. Judith was invited to teach the first course in the country on forensic musicology at UCLA in 2018. She holds an M.A. degree in musicology from the University of California at Berkeley and a B.A. from UCLA in piano performance. She has written numerous articles and a book in the area of contemporary music and copyright infringement and has appeared in trials on Court TV and before the American Intellectual Property Law Association. She is a trustee of the Copyright Society of the U.S.A., and has appeared as a guest lecturer at the law schools of Harvard University, UCLA, Stanford, Columbia, Vanderbilt, George Washington, NYU, and Fordham, as well as the Beverly Hills Bar Assn., LA Copyright Society, and the Association of Independent Music Publishers. She is co-founder and editor of Your Inside Track, a music copyright newsletter.
• Kevin J. Greene joined Southwestern’s faculty in 2020. Professor Greene is a nationally recognized entertainment and intellectual property law scholar and an expert witness consultant for copyright, trademark, publicity rights, and entertainment contract disputes. He is a highly committed, outstanding teacher as well as a passionate leader and an IP law influencer. He teaches Contracts and Copyright Law. Professor Greene was most recently a tenured Professor of Law at Thomas Jefferson School of Law in San Diego. He has also been a visiting professor at the University of San Diego School of Law. In addition to Contracts and Copyright, he has also taught IP, Entertainment Law, Music Law, Publicity Rights, International Entertainment Law, and IP in the Cannabis Industry.
Moderator:
• Eric Polin, Sr. VP, Music Publishing, Universal Pictures & LA Chapter Board Member