An exciting and insightful webinar as we dive into the world of punk rock and its impact on music publishing. This session explored how iconic songwriters from the punk rock world discovered music publishing and some of the lessons they learned along the way. Featuring Jennifer Finch (Visual and Music Artist/L7), Brett Gurewitz (Mothership Music Publishing, Bad Religion), and Molly Neuman as moderator (CD Baby, Bratmobile).
With Michelle Bayer (Shelly Bay Publishing), Michelle Lewis (SONA), Rene Meredith (Exploration Group), and moderator Alexander Baynum (Exploration Group)
Geared towards developing and emerging songwriters, our webinar will demystify the fundamentals of publishing administration for self-published songwriters.
Join us as our panel of music publishing professionals shares valuable insights and practical advice to help you navigate the business side of your songwriting career. From affiliating with a PRO to understanding song splits, registering your compositions, and pitching your songs for film and TV placements, our panel has you covered. Learn the best publishing practices for releasing your own music and discover essential strategies for collecting and tracking your hard-earned income. There will be an interactive session at the end where you will have the opportunity to join breakout rooms and have your questions answered by experts in specific music publishing areas.
Don’t miss out on this opportunity to empower yourself as both a creator and a publisher!
Speakers
• AIMP/LA Board Members
Todd Brabec, Yvonne Drazan, David Quan, and Michael Todd
Moderator
• Marc Caruso
Please join us for this discussion with three independent music publishers and their songwriters as they share their lessons, perspectives, and wishes for 2022.
Speakers:
• Teri Nelson Carpenter is a music industry veteran. Her executive experience includes a background in performing rights management and overseeing major studio and network television music departments. Ms. Carpenter’s experience in protecting and monetizing music copyrights is well known and has earned her the highest level of respect from composers and publishers worldwide. Ms. Carpenter is currently the President & CEO of Reel Muzik Werks, LLC. A Full Service Music Rights Management Company that specializes in Global Writer/Publisher Administration, Licensing & Clearance and Music Supervision for all Media. As the executive in charge of network television music at Fox Family Worldwide/Saban Entertainment, Ms. Carpenter was responsible for overseeing the Fox Family/Saban’s global music business. Prior to that Ms. Carpenter served as a Music Administration & Production Executive at Metro-Goldwyn-Mayer (MGM Studios). Before that she was the Director of Music at Academy Award Winning Indie Company, Hemdale Film Corp. Ms. Carpenter began her career at Broadcast Music Inc. in Film/TV relations. Ms. Carpenter holds a Bachelor of Music Degree in Vocal Performance & Composition from Cal State Long Beach where she graduated with honors. Ms. Carpenter is a recent two-term President of the California Copyright Conference and Finance Chair of the Board of Directors of the Copyright Alliance in Washington, D.C. Currently, Ms. Carpenter serves as a member of the Independent Publishers Advisory Counsel for the NMPA and serves on the Executive Board of the International Independent Music Publishers Forum. Ms. Carpenter is a member of the Joint Project Lead at CISAC which governs all X-Industry music projects. She is also an active member of the Society Publisher Forum where she lends her experience in many groups including the A/V working groups along with serving on the Steering Committee & Working Group for CIS-Net a FastTrack / CISAC global music database project.
• As CEO and Co-Founder, Marc Caruso oversees all facets of Los Angeles based, independent music publisher Angry Mob Music. For the past 20 years, as an entrepreneur, composer, producer and Emmy-nominated music editor, he has been at the forefront of music publishing and rights administration. Under his leadership since its founding in 2009, Angry Mob has evolved into a diversified music company with successful operations in publishing, music rights management, and audio-visual music production. Marc has also led the company’s direct signings, ranging from major label artists and accomplished songwriters to emerging producers and composers. He is a member of the Academy of Television Arts & Sciences, The Recording Academy, The Motion Picture Editors Guild, The Society of Composers & Lyricists, and represents Angry Mob Music’s interests as a Team 100 member of the National Music Publishers Association.
• Born and raised in L.A, Yvonne Drazan has been in the music industry for over 30 years. She is currently the VP Latin Division at peermusic, where she began in 2003 as Creative Manager. She represents many writer/artists including Gloria Trevi, Mala Rodriguez, Molotov, Sofia Reyes, De La Ghetto, Chiquis, and Chayanne, among others. Her experience includes Label Manager for Gustavo Santaolalla’s imprint Surco/Universal, (Juanes, Molotov, Bajo Fondo) coordinated his film scoring work (Amores Perros, Motorcycle Diaries) and productions (Café Tacuva, Kronos Quartet). She worked PR at Rhino Records (Los Lobos, Ramones, The Cars, Devo), was a road manager for various Latin Rock artists and began her career at EMI Latin (Selena Quintanilla, Jon Secada).
• More than words on a page or notes to a melody- William Davenport has had an intimate relationship with music that dates back to his childhood in Atlanta, Ga. A soulful spirit with gospel roots, he scribes music reminiscent of mature love in its truest form. From his beginning days, William has been lauded as a true balladeer and music prodigy skilled in piano, guitar, violin, and organ. While in college pursuing a degree in Engineering, William appeared in and won several high-profile talent shows including: the embassy Records national Talent Search, and the opportunity to be a singer/songwriter for Neyo’s recording label, Compound Entertainment. More recently, William has continued to be recognized as an independent artist, including being spotlighted in the BET Music Matters campaign. No stranger to the stage, William has shared a stage with legends such as: India.Arie, Will Downing, Boney James, Laura Izibor, Mary Mary, and Kirk Whalum. A powerful voice in his own right, William continues to pen musical stories that genuinely reflect the heart songs of everyday love and sensuality while carving a career in the industry with his unique sound and undeniable talent.
• Manu Manzo is a singer/ Songwriter born in Venezuela & raised in Miami. She started singing very young as well as acting and dancing. She grew up listening to jazz and Latin music at home with her family. Artists like Etta James, Ella Fitzgerald, Amy Winehouse, Sarah Vaughn, Celia Cruz, Alejandro Sanz, as well as artists and groups from her native country Venezuela who have influenced her in her compositions with their flavor & soul. Ever since she relocated to the United States at 10 years old she’s been part of different music groups. She studied at Berklee College of Music in Boston for two years where she discovers new sounds such as Neo Soul, which gave her new influences. In 2015 Manu released her first EP “Como Soy”. It was independently released and which she describes as “a fulfilling body of work that came from the heart”. Manu collaborated with other songwriters and artists which included: Alex Ubago, Tommy Torres, Luis Enrique, Elsten Torres, Cris Zalls & Juan Carlos Pérez Soto, who also served as the producer of the project. Manu’s sound is a blend of all the genres that have influenced her musical career and life. From Latin to jazz, hip-hop to soul and the blues. Manu found her space between old school and new school, without ever losing her essence and musical identity. In September 2015 Manu was nominated for the “Best New artist” category of the Latin Grammys. In 2016 Manu signed a worldwide music publishing agreement with Peermusic Publishing and Aquos Entertainment. Manu is also currently recording her first full length album which includes songs written by her and produced in Los Angeles, New York and Miami by JS & Noize, James Poyser, The Audibles, SOS and Salaam Remi. Manu is a future superstar….
• Soulful pop singer, songwriter, recording artist and entertainer, Tatiana Owens is conquering stage, screen, and stream, one song at a time. Tatiana has performed at legendary NYC venues like The Cutting Room, Arlene’s Grocery, The Groove and twice at the historic Lincoln Center/Alice Tully Hall in New York City, once as part of the Discovery Channel’s “Animal Planet” Gospel Choir Event and once as part of The Louis Vuitton Fashion Gala with musical direction by WoodKid. She has even shared the stage with the great Stevie Wonder, performing background vocals on his “Songs in the Key of Life” tour. Views of Tatiana’s vocal work on the YouTube comedy channel “The Key Of Awesome” are numbered in the tens of millions. She also has an off-Broadway resume which includes lead roles in iconic productions like “A Chorus Line,” “Harlem Remembered” and “Memphis.” Her music has been featured on CBS, MTV, VH1 Logo, Lifetime, CMT, BET, USA Network, The CW Network, The Paramount Network and Showtime inclusive of Tatiana’s song “Pendulum” from the hit VH1 show Love and Hip Hop released on Universal/Def Jam Records as part of the Love and Hip Compilation. Tatiana’s song “Trigger” has been featured on both Showtime’s Ray Donovan and Shameless, The CW Network’s Dynasty, The UK Television Series Guilt and The Paramount Network Series American Women. Tatiana has appeared all over print media and the blogosphere inclusive of Billboard Magazine and Hits Magazine which chose her as one of their “Top 5 Artists To Watch.” Also of note, Tatiana’s song “Still a Rose” charted Top 40 for over a year on the Top INDeCOUVERTES Radio Chart in France. Tatiana recently cowrote “Feeling Fine” for recording artist Zinah Rose on DGR Records and the song is currently receiving airplay in South Africa.
Moderator Abby North and panelists John Riley, Damien Riehl, and Crispin Hunt discussed the challenges and opportunities of generative AI technology and provided an overview of the latest developments in the field.
Speakers
• Damien Riehl
Damien Riehl is a lawyer, musician, and technologist with experience in complex litigation, digital forensics, and software development. A coder since 1985 and for the web since 1995, Damien helps lead the design, development, and expansion of Fastcase’s data-science efforts, integrating AI-backed technologies to improve legal workflows and to power legal data analytics. In 2019, Damien gave a TEDx Talk about his All the Music project, which to date has computationally composed over 400,000,000,000 (400B) melodies, has written them to disc (fixed in a tangible medium), and has given the public access through Creative Commons Zero (CC0), which provides rights similar to rights to works in the Public Domain. Damien’s project has contributed to discussions between lawyers, musicians, and industry professionals regarding (1) copyrightability of machine-created works and (2) copyrightability of melodies alone.
• Crispin Hunt
Crispin Hunt is a multi-platinum selling songwriter and record producer. He has written or worked with or for Florence and The Machine, Lana Del Ray, Ellie Goulding, Jake Bugg, Maverick Sabre, Newton Faulkner, Natalie Imbruglia, Bat For Lashes, Razorlight, Estelle, Rod Stewart and many others. He is a global advocate for Creator Rights and is a Director of PRS , former Chair and current board director of The Ivor’s Academy, former PPL Director and FAC CEO. He was lead singer of the 90’s Britpop band Longpigs and worked in the UK House Of Commons as a Parliamentary Researcher and Campaign Coordinator.
• John Riley
John Riley is an Assistant General Counsel at the U.S. Copyright Office where he has contributed to the U.S. Government’s Supreme Court briefs in the Aereo and Petrella cases, district court briefs including in Thaler v. Perlmutter, the Office’s policy reports including Copyright Small Claims, Copyright and the Music Marketplace, and Unclaimed Royalties: Best Practice Recommendations for the Mechanical Licensing Collective, and, among other regulatory work, rules implementing the Music Modernization Act, Copyright Alternative in Small-Claims Enforcement (“CASE”) Act of 2020, and the Group Registration for Works on an Album of Music (“GRAM”) registration option. He also frequently advises Congress on copyright law. Prior to joining the Copyright Office, John worked as the Senior Manager of Intellectual Property Enforcement at the United States Chamber of Commerce’s Global Intellectual Property Center. John earned his LL.M. in Intellectual Property Law from the George Washington University Law School and his JD from the Dickinson School of Law. He holds BA degrees in Political Science, English, and Communication Arts & Sciences from Penn State University. He has been recognized by the American Intellectual Property Law Association for his distinguished service and contributions in the field of intellectual property law.
Moderator
• Abby North